The world of entertainment is cutthroat. It evolves with the
ever-transient tastes of the public. However, the game is high-risk high
reward. With such popularity comes worldwide publicity and expansion— the visibility
of culture to the rest of the world. The article speaks of the declining
popularity of Japanese pop culture and its replacement with its Korean
alternative.
There is a clear difference in approach between the two: a
modern vs. traditional approach. The article insinuates certain complacency in
the Japanese pop culture scene due to its established popularity. Contrarily,
Korean groups are taking advantage of social media platforms, international
advertisements, and other branding opportunities to imprint themselves on the
overseas conscious. Even the fan base has followed this suit, creating dubbed
versions of performances/other media for greater foreign exposure.
There was one part of the article that particularly caught
my eye. In regards to companies using Korean pop culture icons for their brands
that “cherry pick the country’s
entertainment industry when launching ad and marketing campaigns”. Companies
are taking advantage of these industries to boost their own. Obviously, this
importance of this article does not lie in fact that people are seeking new
forms of entertainment. Rather, this shift results in economic consequences. The goal of these media magnates is to capture
the gaze of the Asian continent, as they are the largest consumer of media
exports. Rates of consumption have steadily increased for the most part, and
absolutely skyrocketed in the Greater China area. Korea is steadily reaching
Japan’s broadcast export ($221 million vs $223 million), and will likely
eclipse it in the coming years.
The article also gives interesting insight into shifting
cultural values. The relationship between Japan and Korea is complex. Ebbing
and flowing as the two try to reach mutual understanding. Some of the older
generations of Japanese people carry trepidation when in comes to Korea. With
the instillation of Korean media, the younger generation can usher in a new
culture of acceptance. We have already seen instances of both parties trying to
mend prior strife. For example, Abe Shinzo offering 1 billion yen in support of
sexual assault victims during WWII.
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